Five performers dance unapologetically, shedding light on the value of dance while testing the limits of the performance condition itself and the system within which it operates. They move, asking: “How much is my dance worth?”, at a time of global crisis, when dancing, and to an extent “investing” in the arts, seems like a paradoxical choice. Their dance on stage is not another “Rite of Spring”, in which one must be sacrificed for the sake of the others, nor another “Dance of Zalongo”, a tragic act of despair and non-choice. Their dance is a dynamic act of political appearing, stating and cl